The Lake County Theatre Company (LCTC) has announced its 2024-2025 season and first up is a comedy by Neil Simon. What is unique about California Suite is that it’s four mini-plays in one. Each scene takes place in the same hotel suite and features a different couple. We get a glimpse into the relationships of these married (or formerly married) couples in the middle of extenuating situations and heightened emotions. There is tension, denial, hope, panic, fear, anger, and pain both emotional and physical. Yet, in each scene, there is empathy and humor to be found. It is, after all, a comedy. This production, in particular, is also unique in that there is one director, Tim Barnes, and 4 assistant directors. One for each scene. But more about that, later.
The first couple we meet is The Visitors From New York, directed by Jenna Rodgers. Real life married couple Tim and Laura Barnes play William and Hannah, a divorced couple navigating custody issues and raising a daughter. Rodgers, who is also co-producing with Laura Barnes, likens the divorced couple’s relationship to the metamorphosis of a caterpillar into a butterfly and advises, “Just as the butterfly does not resent the caterpillar, so too should we not look at our past selves with judgment. Sometimes we marry before we are fully developed. A failed marriage doesn’t have to be just a failed marriage. It can also be a journey that catapults us into our individual metamorphoses into complete people.” (Side note: Rodgers is a second-grade teacher in real life, and with that kind of mentality, I know that she must be amazing in the classroom.)
Rodgers also told me that as a new director, she’s enjoying seeing her vision guiding the actors’ movements. She remarked that rehearsals are a little like setting up lessons for her class. She broke things down into beats, communicated and collaborated with the cast, and discussed what motivates their characters. A beat is defined by Acting Magazine as a “slight shift in the thought, tone or action of a scene.”
She’s grateful to be responsible for a single scene. She joined LCTC in 2008 and did play after play after play before taking a break. She came back and joined the board to highlight the needs of the South Shore. She’s especially pleased that this show will open in Lower Lake before moving to Lakeport. She says that she serves her district as a teacher and that serving on the board is a way to serve all of her community.
The second couple we meet is The Visitors From Philadelphia, directed by Rod Rehe. Marvin, Millie, and Bunny are played, respectively, by Erick Kalk, June Wilson-Clarkin, and Jessica Marie. Off-stage, Wilson-Clarkin and Marie are mother and daughter. On stage, they could be perceived as unwitting rivals. This scene deals with the serious matter of cheating while also dealing with a lot of physical comedy.
I asked Rehe about any challenges that he faced directing this scene and he said that one challenge was the rehearsal schedule. Kalk and Wilson-Clarkin had different restrictions when it came to their availability to rehearse. He’s only available after 3:00 p.m. and she’s busy during the evenings. They were all flexible and did a lot of rehearsing anytime Wilson-Clarkin had a cancellation at work.
Another challenge had to do with the space and concept. The company decided to present the show at the Weaver Auditorium in Lower Lake for the first week and at the Soper Reese Theatre in Lakeport for the second week. If you are unfamiliar with those venues, the stage, the backstage, and the wings of the venue in Lower Lake are considerably smaller than the space in Lakeport. Even the lighting and the sound design will have to be different for each venue. Originally, Tim Barnes was just going to direct. However, it is not unusual for people to wear multiple hats in community theatre. Or for there to be fewer actors than actresses. They were a man short, so he stepped into the role of William. But in his role as director, he is responsible for all the details of the show which include last minute changes to the floor plan due to space constraints. Acting, directing; throw in a full-time job (remember this is all volunteer) and you must prioritize. Everyone was patient and the goal to bring theatre back to the South Shore is on track.
The third scene involves The Visitors from London. Directed by Adam McGee, it features Cody Eden as Sidney and Laura Mc Andrews Sammel as Diana. (The late Maggie Smith appeared in the movie version of California Suite and won the Oscar for Best Supporting Actress for her portrayal of Diana.) McGee says the scene is about what love looks like. The character Diana is an Academy Award winner and Sidney is an antiques dealer. “As they discuss what success should look like and their family struggles, there is an undertone that fluctuates between pretense and authenticity.”
For this scene, they started with dialect coaching from Lisa Wentz. (Remember that multiple hat thing I mentioned earlier? She’s also the director of the final scene.) Then McGee had them read the script, do scene studies and script analysis, and determine the emotional arc of the scene, all as a group. Once that was done, they put it on its feet and blocked it in just a few days.
McGee’s first experience directing was as the Assistant Director for Steel Magnolias. While he’s technically an Assistant Director on this show, he’s got much more ownership over this scene. Coming from a primarily acting background, he found his advantage to be the ability to understand character motivation, how to get the actors to communicate with each other on stage and support a scene partner, and where the focus should be.
His scene is a little bit longer than the others, but like Rodgers, he’s happy to focus on a quarter of the play.
In addition to acting as dialect coach, Wentz had her own scene to direct, The Visitors from Chicago. This scene features two best friends and their wives. The older couple, Mort and Beth, are played by Jayson Lyon and Jenifare Martin. Hunter Perrine and Kylie Rovetti play the younger couple, Stu and Gert. Wentz says that like marriages, friendships can also have conflicts. “It’s about tolerating our own shortcomings and those of our friends.” She quoted the Michael Franti song, It’s Never Too Late, and then paraphrased saying, “Basically only those who know and love you can drive you crazy.”
While the other scenes deal with emotional pain this scene also deals with physical pain and is written a bit more humorously than the others, which is probably a good note to end on for a comedy.
This is Wentz’s first show with LCTC. Though she’s worked in San Francisco and London, she’s never done community theater. She says the main difference is that everything’s just on a smaller scale. She was impressed with how dedicated and easy to get along with everyone is. She noted that even though everyone volunteers their time, they all give 100%. She was a bit surprised by how small the acting community is here. Though, she was happily surprised by the level of professionalism of the two teenagers in the scene and their willingness to work. She found it to be on par with seasoned adult actors. Barnes also praised the younger actors who are both 17 and former students of his. He’s enjoyed watching them even though he’s not in the same scene with them.
Wentz’s comment about how small the acting community is here is on point. There are a lot of jobs to fill when putting on a season of shows. The company has to constantly make sure they have people up to the task for each role. Directing is one of them. The company has a policy that no one can direct a show without first having been assistant director on an LCTC show, no matter how much experience they may have. Having a show with four vignettes and four assistant directors is an excellent way to qualify four directors in one show.
Barnes says his role as director is to watch, mentor, and answer questions. He’s there to offer help on blocking, the basics, and whatever else they might need for their individual scenes. The company often partners those who want to work behind the scenes with seasoned veterans to grow the pool of experienced producers, directors, etc. If you’ve ever thought about working on a show, there are lots of ways that you can get involved.
To learn more about joining the company, the 2024-2025 Season, or if you would like to purchase tickets for this show, please go to LCTC.us Tickets are $15 and the show plays at the Lower Lake School House Museum on October 18-20 and at the Soper Reese in Lakeport October 25-27. Fridays and Saturdays at 7 p.m. and Sundays at 2 p.m.


