How I Slice It
The pears on my counter are blushing, ripening.
Picking one up, I imagine their journey and all the hands
that cradled them before they made their way here
They were grown, quite likely, nearby in Kelseyville—
lauded as the pear capital of the world
But unless I venture from Kelseyville’s Main Street
I won’t see thriving pear orchards planted generations ago
I won’t see beyond the fruits’ alluring shapes and colors…
The delivery truck driver who unloaded
an impressive haul of pears at the grocery store
produce department employees who unpacked
arranged an inviting selection
Pear sheds where thousands of these stemmed jewels
were sorted, packed, readied for shipping
Hands efficiently plucked one after another, row after row
farmers, laborers who nurtured, tended each tree
families whose toil preceded tractors
who married pear seeds and saplings to rich soil
I consider further back still, centuries and millennia
the earliest stewards of these lands…
In a day or two I will savor and share
these pears I didn’t grow.
Kristi Ellis Witt
Kristi Ellis Witt
Kristi Ellis Witt began sharing her poetry and fiction publicly a few years ago and believes every community needs art in all its forms—from literary, to visual, to performing. She taught high school English in the North Bay for many years, and is an advocate for poetry and creative writing enrichment in public schools. As a poet-teacher with the California Poets in the Schools non-profit program, she’s enjoyed encouraging and guiding youth to explore writing their own poems and discovering their creative voices. She’d love for more people of all ages to realize the benefits of creating, sharing, or appreciating art. Maya Angelou said it well: “You can’t use up creativity. The more you use, the more you have.” When the old excuse of having writer’s block takes hold, Kristi reminds herself there’s never really a shortage of things to write about—she finds inspiration just about anywhere, including the unique and natural beauty of Lake County where she lives.
Mud Angel If I go outside, away from the warmth of my house and peel these fabrics off my skin I could lie down under the gray silver sky between a family of oaks and feel the soggy, cold soil beneath me and outstretch my arms, my legs into the shape of a mud angel. Maybe making angels in mud is silly and messy but I need to remember what silly is—messy and beautiful. It could be a playing-after-it-rains silly a why-would-she-do-that silly a wondering-if-angels-visit-these-trees silly. I’d move my limbs together, apart together, apart. I remember making a snow angel many Januarys ago remember that moment and the stinging chill through my thick winter clothes. Remember the childhood freedom of abandoning care like the family of oaks who abandoned their leaves when I wasn’t looking. If I make a mud angel, I’d keep moving my legs and arms to keep warm. Get up, I’d think. But I’d stay. I’d stay to form muddy wings. And it would be beautiful. Moving, but staying, moving, but staying. I’d be filthy and freezing, but it wouldn’t feel silly. Because I would remember such a moment when I’m old—a fallen leaf when I wasn’t looking. And my hair will be the color of today’s gray silver sky. Holding Your Name Before I knew your name before we were asked to say your name You were Someone. Someone walking down the street with your hood on. Someone sleeping in your bed. Someone handing a cashier a 20-dollar bill. Someone falling asleep in your car. Someone playing in an empty park. Someone jogging through a neighborhood that is not your own. Someone driving in a neighborhood that is your own. The names we know, all together, can fill casket upon casket. And together with ghosts of the names unknown are letters of your names linked together like arms, T’s-B’s-G’s-A’s, and R’s Letters crammed against edges and corners and pushing to get out. We can write your name on cardboard in fresh ink and paint it on walls in bold shades and gather in the streets for you to rescue your name from the day’s headlines and from filed reports where it was not handled with care. And march it toward memory… I was not prepared to know your name.

